Excellent
in just about every way, GINGER SNAPS is one of the few werewolf movies
to look at matters lycanthropic from a female point of view and also,
significantly, link that aspect to matters menstrual. It's not the first
time that's been done in horror — Peter S. Beagle's "Lila the Werewolf"
and Alan Moore's "The Curse" immediately spring to mind — but the
handling of it here involves the universal horror of adolescence writ
large and the result is glorious.
This Canadian entry is proof of what can be done with a low budget and a
hell of a lot of talent and intelligence. Drawing once more upon the
lycanthropy/horrors of puberty theme, GINGER SNAPS deals with two
uber-morbid and very close high school-age sisters, a pair of creepy
misfits who, like good old Carrie White, have yet to have their first
periods. The older of the two, Ginger (Katharine Isabelle), finally
starts her menstrual cycle but has the misfortune of that event
coinciding with local animal attacks that turn out to be the work of a
particularly savage werewolf. The monster catches her newly bloody scent
and, in a scene intended to look and feel like a rape (according to the
film’s co-scriptwriter), mauls the living shit out of her.
The newly wolfy and hyper-sexualized Ginger (Katharine Isabelle): on the prowl for some meat...
Ginger survives and in no time flat begins to exhibit a hitherto unseen
level of aggression, both socially and sexually — NOTE: keep in mind
that lycanthropy is a communicable disease — to say nothing of such
undeniable signs of wolfing out as getting furry in odd places, her
teeth becoming more suited to tearing flesh, and the tail that she’s
sprouted from out of nowhere, all of which happens when the moon isn't
even full, so you know it's really
bad. Ginger's younger sister, Brigitte (Emily Perkins), realizes
what’s happening and sets out to cure her sister, and if that doesn’t
work, it'll be time for a more permanent solution…
One of the rare werewolf movies from a female perspective, GINGER SNAPS is highly recommended for its genuine scares, well-handled lycanthropy/puberty metaphor, and its wicked DeGRASSI HIGH MEETS THE HOWLING sensibility. And the first sequel’s actually pretty good! If you choose only one film from this countdown, this is one of the handful you should seriously consider. (I also strongly favor NIGHT OF THE DEMON and DAGON.)

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