I
really should listen to my own advice more often, namely my
oft-mentioned caveat that if the poster and title are irresistible, the
film itself is likely to be something of a disappointment (a
hard-learned lesson proven by about thirty years of Troma Films). You
know and I know that nobody — and I do mean nobody —
makes gratuitously ultra-violent exploitation movies like the Japanese,
and this sleazefest from the Land of the Rising Sun theoretically has
everything going for it: shameless sleaziness, teen sexual curiosity
(read "lesbianism") of a possibly incestuous variety, a mad scientist
who conducts experiments of an insidious and pointless nature, cute
Japanese chicks wandering about either clad in swimsuits or
topless/nekkid, a ludicrous script, and scads of spewing gore, entrails
and dismemberment. So what the fuck went wrong?
The
film's star, Sasa Handa. Don't worry about being busted for kiddie
porn, because she's actually in her twenties and is among the vanguard
of the legion of Japanese "actresses" who've gotten breast implants in
order to advance their careers. The work done on her is not bad, but you
can still tell her sweater goblins aren't real. (I prefer the real
thing anyway, even if they're not exactly a pair of heaving casabas.)
THE PLOT: hot schoolgirl Aki (Sasa Handa, who looks like a Japanified
version of my pal Xtina, something obvious in the film and not the above
publicity shot) couldn't possibly have chosen a worse day to start at a
new school thanks to arriving just as a mad scientist injects most of
the student body and faculty with a serum that will allegedly protect
them from the "popular" virus that's debilitating the area. Y'see, the
serum's real purpose is to turn its victims into homicidal cannibals, so
once it's active the gore starts a'spewin', including a juggling math
teacher zombie who literally saws off a student's head in front of his
understandably stunned class, a bespectacled English teacher who lets
loose her inner slut and gets off on cutting off the Principal's toes
one by one, and dozens of uniformed schoolgirls committing all manner of
atrocities upon one another. During all of this mayhem we discover that
there's something in the school's swimming pool's chemiclas that
renders the swim team immune to the serum, and Aki is befriended by
Sayaka (Yuria Hidaka), a cute and kinda chunky chick who has birthmarks
on her breast and neck that mirror those on Aki, leading to the
inevitable question: are they long-separated sisters? Taking refuge from
the marauding flesh-eaters/sadists, Aki and Sayaka hide out in the
school's kitchen where they succumb to some not-bad manual lesbian
tomfoolery (made hotter by the possibility of them being twin sisters;
ooooh, so forbidden!),
after which Aki reveals the details of her shocking past. It turns out
that the same mad scientist who dosed the school kidnapped her years
earlier and trained her to be a world-class assassin (his motivation for
this remains obscure thanks to the somewhat dodgy subtitles), as well
as conditioning her to get bitch-in-heat horny whenever she hears a tune
he plays on a flute, thereby making her his easily-controlled sex
slave.
So far so good and sleazy, right? Well, right about the middle of the
proceedings things slow down to an alarming degree, almost as though
another director stepped in and decided the flick needed more exposition
rather than unchecked helpings of geysering blood, entrails, and
gratuitous nudity. That's a very bad move that renders the remainder of
the film a real clock-watcher as the audience sticks around solely to
see how it all turns out. Since the film drops the ball in such a huge
way, I'll spare you having to sit through this and tell you all of the
stuff you need to know, clearly illustrating just how badly the
filmmakers fucked over their intended audience:
- When Aki accepts her destiny and decides to take out the mad
scientist once and for all, Sayaka gathers about seven surviving swim
team members and they arm themselves with whatever's lying around, thus
becoming the fighting force of the title. That's all well and good, but
with the exception of Sayaka and maybe one other girl all of them are
wiped out less than two minutes after they assemble. In other words,
there is no awesome swimsuited chicks versus zombie carnage-thon as
promised in the film's promotional material and terrific poster imagery.
- When Aki finally confronts the mad scientist, the fight is
lackluster almost to the point of disbelief. After the film's thoroughly
impressive first half this comes as a total letdown.
- Just when we think the film is over, we find out that Sayaka is
actually another of the mad doctor's brainwashed sex slaves, only she's
jealous of Aki and got close to her so she could slip her toxic "Genie
Narcoctics" by tonguing her in a lezzie kissing fest. As paralysis takes
over Aki's body, Sayaka is fatally shot by...the mad scientist? Turns
out that the mad scientist is actually a pair of twin brothers who had
been taking turns fucking the girls; when one finished, the other
hoppped on and continued the ride while the recipient of their foul
attentions made loud noises reminiscent of a dog's squeaky toy. This may
sound somewhat entertaining in a nasty way, but it's all dull and
terribly contrived. (Yes, it looks like I've reached the age where I can
find nudity dull, depending on the context. Sad, really.)
- Aki's showdown with the remaining mad scientist twin is pretty
uninvolving; he unleashes the flute tune in order to drive her crazy so
he can fuck her right there on the school's front lawn, and Aki strips
down and splays out, but it takes forever for her to end up on her back.
I swear I kept looking at the clock and computing how much longer the
feature had to run.
The one saving grace of the film's ending is Aki unexpectedly
vanquishing her rapist by blowing him to showering chunks using a laser
device that she'd cunningly hidden within her pussy (yes, you read that
right). The image of a splayed-out, totally nude girl shooting a STAR
WARS-style ray out of her naughty bits made me laugh out loud and almost
made up for the boredom and disappointment of the preceding
thirty-or-so minutes, but the film's climax proved a huge letdown as Aki
cleanses her gore-drenched self in the swimming pool, only to die from
the Genie Narcotics. As Aki splutters and coughs while the poison kills
her, the camera returns to Sayaka's corpse and shows us a warning on the
narcotics bottle's label that warns against using the product in direct
sunlight or water, so Aki was double-fucked from the get-go and ends up
floating face-down and naked in the pool, like a giant "floater" turd.
THE END.
This probably all sounds much better than it actually plays out but I
assure you that you'll be disappointed by it should you choose to sit
through it, unless you're an eleven-year-old boy who's just hit puberty
and have never seen a George Romero movie or a bare tit. TRUST YER
BUNCHE and give this brilliantly-titled half-a-hard-on of a movie a miss
and check out the vastly superior
THE MACHINE GIRL instead.
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